Abstract
This writing is a translation of what is communicated by the body of art work called [be]LONGING. Points of reference for this work include theatrical, construction and fiber art traditions. There are also strong influences of the art work and writing of others. Iconography, materials and processes are central to the meaning of this exhibition. In both words and installation, [be]LONGING sets the stage for an abstracted play, one which suggests the viewer as a character.