Abstract
A book-length sequence inspired by the Nazi-persecuted German Expressionist painter Karl Hofer's work, McGriff's third collection meditates on eros, cosmology, independence, provenance, "occupied territories," and deviance. Detailed yet indeterminately American landscapes flood with surrealist dream imagery and subtle violence, while the voice of these poems intertwines between the intimately personal and the honestly imagined―all while remaining plainspoken, angular, direct.